The Literary Blockbuster: James Joyce Meets Judith Krantz
February 18-22, 2020 (following conference)
Hotel Real de Minas $850
Where is the deep and meaningful novel or memoir that’s also an addictive page-turner? With master teacher and James Joyce scholar Susan Brown, PhD, study the secret handshakes of the masters and the money-makers and learn to combine the best qualities of both literary and commercial writing without sacrificing quality.
Testimony from Susan Page, Founder and Director of San Miguel Writers’ Conference, the largest and most prestigious co-cultural, bi-lingual literary gathering in the Americas.
I can’t imagine a more skilled, experienced, and brilliant writing coach than Susan Brown. She is intuitive! She climbed inside my project and saw exactly what it needed, picking up nuances that had passed me by. I learned more in her intensive workshop than by reading several “how to” books on writing.
Are you the writer the world is waiting for who can merge the metaphysics of Moby Dick with the page-turning power of Jaws?
This workshop will show you why you want to be that writer and how to begin. With Susan Brown, PhD, learn how to transcend the artificial and fathomless polarity between commercial writing (which sells and has a wide readership) and profound and stunning literary fiction (which is rarely published and has a minute readership) to create what readers want and haven’t seen in seven decades — a literary blockbuster.
We will open by answering the question, why aren’t contemporary prize-winning, critically acclaimed, literary novels also mega-blockbusters (i.e. selling 20 million copies plus)? Then we answer the question, is it possible? The answer is yes, but the last time it happened was seventy years ago when two canonized literary novels each sold more than 20 million copies — Catcher in the Rye and Lolita, both published in the 1950s. Both writers achieved what Dr. Brown will guide you to attempt in this workshop: transcendence of the artificial and fathomless polarity between commercial writing and profound and stunning literary fiction.
With models, prompts, exercises, and feedback sessions, James Joyce scholar, creative writing professor, and personal editor for acclaimed fiction and memoir, Susan Brown — who is also a lover of trash lit — will guide you to begin a new project or revise your existing novel into what readers really want: a prize-winning and meaningful novel that’s also an addictive read.
Come for the Conference. Stay for the Post-Conference Workshop in Historic San Miguel de Allende
Register
Comments from Susan’s Colleagues and Students about her Master Workshops
Workshop Format
Feb. 18 to 22, 2020
Mornings
10 to 1:00: Interactive Workshops
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Using models from the world’s greatest writers–and the trashiest, Susan will introduce literary concepts such as interior monologue and commercial concepts such as plot triggers. See below the partial list of concepts and techniques that will be addressed in the workshop.
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Responding to prompts and exercises, students will practice applying these concepts in a scene from their own work-in-progress.
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Susan will offer students a variety of assignments from which to choose for the evening’s optional reading and feedback session.
Afternoons
1:00 to 5:00
Relax over lunch then work on your assignment for the evening feedback session.
Evenings
5:00 to 7:00:
Optional Reading and Feedback Sessions
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Choosing from a list of assignments, workshop members will share up to three pages of a workshop assignment or three pages of new (or substantially revised) material from their larger work-in-progress. Polish is not possible in the time frame. We all recognize these pieces as experiments and drafts as students practice applying the literary and commercial techniques discussed in the workshop session.
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To insure a safe reading environment and encourage risk-taking, feedback will be limited to Dr. Brown’s constructive commentary.
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With teaching as the goal, Susan will explain what and why elements of piece are successful and–where useful as a learning tool for the group–offer an analysis of how to increase the depth and improve the quality of a draft. Students learn from observing what does and doesn’t work and hearing an instructor’s solutions. Other writers will recognize, for example, that the narrative voice isn’t consistent. Using the student’s sample, a professional teacher can explain–with care and encouragement–how to resolve that gap.
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The goal of a workshop is to form a community where every writer feels safe to take risks, where all efforts are respected, and where each writer’s stunning growth and success represent the group’s collective achievement.
♦ ♦ Concepts and Techniques Addressed in the Workshop ♦ ♦
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How to construct any project in layers–scene by scene—not beginning to end–saving months, even years
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How to integrate both sides of your brain for writing
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How to draft using Hemingway’s “one true sentence”
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How to unify your book with narrative threads and a leitmotif
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How to create charismatic characters using internal dialogue
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How to find the universal theme beating at the heart of your story
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How to construct utilitarian but engaging 3-part dialogue
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How to make each paragraph read like butter
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How to brushstroke a minor character
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How to write a sex scene that won’t make a reader gag or yawn
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How to craft an opening with eight essential moving parts
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How to keep the reader glued to a narrative with cliff-hangers
Register for this Workshop
Please email Susan Brown with any questions: susansutliffbrown@gmail.com
Check out the San Miguel Writers’ Conference